Animation
“Animation allows me to explore new avenues of expression and to learn storytelling techniques in the greater medium of moving images. Below are some examples of my experimentations and collaborations making use of my greatest passion.”
“Back Pocket” Animated Music Video (2025)
(LIVE ACTION, AFTER EFFECTS)
“Cheese Please (or, ‘Live Footage From my Apartment’)” Animated Short (2024)
(TB HARMONY, AFTER EFFECTS)
What’s Next?
I am currently working on the short film “French Flies” and seeking a team of animators to assist in its development.
In addition, I am currently storyboarding the feature film “Ennie Rocks” (working title) that I will soon provide updates on and seek funding for its production.
“French Flies” Short Film (2025)
(STORYBOARDS: CLIP STUDIO PAINT, AUTO DESK MAYA
RENDERED ANIMATION: TVPAINT
SOUND: MAX ROSENBLATT)
“SubSpace” Episode 1 (2024)
“SubSpace” Episode 4 (2024)
“SubSpace” Episode 6 (2024)
PRODUCTION MANAGER EPISODES 1-6, IN COLLABORATION WITH FIFTH WORLD SPIRAL ART COLLECTIVE.
“Destroy All Evidence!” Introductory Animation for Play (2024)
IN COLLABORATION WITH TWO CHAIRS THEATRE CO., ANIMATION MADE TO INTRODUCE THE SHOW. (AFTER EFFECTS)
“Speak to Me” Entry into the Pink Floyd Animation Competition (2023)
MUSIC VIDEO MADE FOR PINK FLOYD’S 50TH ANNIVERSARY COMPETITION. SONG IS FROM “DARK SIDE OF THE MOON” ALBUM. (CHARCOAL, AFTER EFFECTS)
“Thumb War” (2022)
PRODUCTION MANAGER, WRITER, DIRECTOR, EDITOR, 3D BACKGROUNDS. (LIVE ACTION, AUTODESK MAYA, AFTEREFFECTS)
“Catch Bot” (2022)
PRODUCTION MANAGER, WRITER, DIRECTOR, EDITOR, ANIMATION (PINK ROBOT). (CLIP STUDIO PAINT, AFTEREFFECTS)
“Toy Time” (2022)
PRODUCTION MANAGER, WRITER, DIRECTOR.
“Le Min” (2022)
PRODUCTION MANAGER, ANIMATION. (CLIP STUDIO PAINT, AFTEREFFECTS)
“Bernie’s Audition” (2022)
(AUTODESK MAYA)
JAMES KISCADEN 